Couple of other observations from looking at this. JJ shared his Ozone 4 preset on Insta, which can be (and has been) translated into all versions of Ozone by some interested Redditors. However, since then, iZotope has of course introduced Neutron with the goal of selling that more as a mixing tool, and then Ozone for mastering - and ideally in combination. (I'm guessing that Neutron didn't exist when he made the original preset.)
Neutron features most of the same modules (or variations of those) in Ozone, but without the stereo imaging stuff, and also there is a single limiter in the Neutron mothership plugin, as a pose to the limiting introduced on a per-band basis in the Ozone compressor. One nice touch in Neutron that is not in Ozone Standard module headers, is that you can dial each module in as a %. I will likely need to play with the parallel compression to dial this one in at it's pretty pumpy just on those initial settings. Can also be done in parallel of course on a send or in Ableton using a rack.
I remade the Ozone preset in 10 standard, and it's quite interesting that it hits pretty hard. This did leave me wondering actually whether iZotope shouldn't make Neutron and Ozone one plugin somehow, as it feels a little like (for example) there are tools you'd think could be implemented across the range (eg: mid-side mode in Neutron, parallel processing per module in Ozone) that aren't. And also given that they have 3 main plugins including Ozone, Neutron and also Nectar for vocals; will their approach of having all these modules start to look a bit OTT (pardon the pun) in the face of all these simplified one-stop-shops.
Still. I do like having these plugs around as I grow into them, and looking into these kinds of processing templates is really useful to learn how to get more out of the tools.